A brother and sister are hibernating. Only the sister wakes up. Human hibernation blurs the boundary between people and animals. A thought experiment equal parts sci-fi and meditation shot in searing images.
Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth.
With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50.
Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned.
Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.
When mysterious creatures invade a Greek seaside port, a misfit band of musicians, tourists, bodybuilders, and grannies unite to save the city in this quirky action-comedy.
Renner follows a computer genius of the same name, played by Muniz, as he looks to court his neighbor Jamie (Beane) with the help of an AI he develops named Salenus — only to realize, a bit too late, that he accidentally programmed his manipulative mother into it.